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Answers to your gardening questions |
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Complimentary Copy of "Keys to the Garden Gate" Five-part article series on flower-drying starts here Eight-part article series on vegetable gardening starts here Asian
Lily Beetles Japanese
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The
Drying Game - Part 5 of 5
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Welcome through Fred's Garden Gate! We've finally reached the end of this 5-part series on drying flowers. If you've gotten this far, you probably already know that small, home-style, do-it-yourself flower presses can be purchased in places like craft stores, well-stocked gift shops and even some of the big ol' box stores have been known to carry a few now and again. (I've seen the lot...mostly made in some far-distant third-world country, then shipped over here to be sold for a good deal more than they should.)
Leaded-glass crafters also employ pressed flowers with good effect in their often jewel-like creations. Click on the photo above to see an enlarged view...use the browser's "Back" button to come back. Quite literally, anyone with the most basic hand tools - or a friend or neighbor with a hand-saw and light-duty drill. The one pictured above and throughout the remainder of this article cost a grand total of 88-cents (for the four bolts with wing-nuts and washers) so, you see, this is not an expensive project! First, locate some scrap pieces of quarter-inch plywood, Masonite or paneling. You'll need three pieces...color, wood type or finish really doesn't matter. Old, no-longer-used clipboards would be a perfect source. Most basements, attics, garages or barns have stashes of too-nice-to-throw-away wood scraps... poke around. The finished product can be practically any reasonable size - the one pictured happened to turn out 5-1/2" by 7" when it was done. Don't be fussy about precise measurements - as long as all three pieces are the same size and shape. Most of the flowers you'll be pressing will be fairly small, so there's no point in making one that's jumbo-size.
Once the holes are done, go back with your sandpaper and smooth-up the rough edges of each hole to remove slivers and "hanging-chads" (sorry, I just had to get that in!). So much for the fun part.
Do the same thing with about 25 or 30 same-size sheets of newsprint. "Newsprint" is what the daily paper is printed on. Most craft or art supply stores have tablets of blank newsprint that artists sometimes use as sketch pads. You might check with your local daily or weekly newspaper print shop... quite often they'll have what they call butt-ends - leftovers from once-massive rolls of paper that're now too short to put back onto the press. Shouldn't cost more than a dollar or so a pound - and a pound will go a long way. They might even just give you a handful. Most newspaper pressmen will run a few blank-and-folded copies before they begin applying ink, just to make sure everything's lined up. Those blank newspapers all go into a really big recycling bin. No harm in asking! I prefer newsprint because fragile dried flowers aren't likely to stick to it because it has a hard surface. Copier paper, on the other hand, is more porous - rough - and delicate petals can hang up in the texture.
Now What? Easy as pie! The ideal flower to press is one that has very little lumpy-bulk. You wouldn't have much luck, for example, with a rose, daffodil, begonia or cluster of geranium flowers. On the other hand, among the very best are the pansies and violas. Violets, individual florets of geranium and hydrangea seem to be made for pressing. There are many others equally suited to the technique... and don't forget little bits of grass seed heads, small ferns and colorful or interestingly shaped leaves. Let your imagination soar. Here's how:
The purpose here is to gently flatten the flowers...but not crush all the corrugations out of the cardboard. Done? Ok....now it's time for patience....and dreaming about what you're going to do with your pressed flowers. Place your press—with its precious cargo—in a dry, room-temperature spot with some air circulation. Keep it away from excessive heat and high humidity...and keep your shirt on. Because the cardboard has corrugations, air is allowed to move through each of those little "tunnels", evaporating any moisture that's drawn from the flowers by the dry spacing materials. And because the process is really quite rapid, very nearly all of the original flower color is retained. How long? For very small or light-weight flowers with little moisture, 2 or 3 days is usually sufficient. Thicker petals may take a bit longer. Gently loosen all four wing nuts, remove the first layer of wood and very carefully lift the newsprint by the corner and "peek" at the flowers. If they're dry, you'll know it immediately....they'll lift off easily and, if you're not careful, may blow of the table with the slightest breeze. If they seem to "stick" to the paper, gently put the whole thing back together and wait another couple of days. So, what do you do now? We started out using clear, adhesive vinyl sold as shelf-paper. Later, we purchased a plastic laminator at Staples for just under $100. Most copy-shops ("Quick-Prints") have laminators and will be happy to seal just about anything you bring in that'll fit into their machine. Some of these big machines use a hot-process...some cold. I personally don't think it matters. I know some industrious crafters who use the same plastic-sealing pouches (Staples, again) and a dry clothing iron set just a little shy of the hottest setting. A very flat surface and a sheet of stiff, smooth paper on either side should do the trick. If it were me, I'd try it a couple of times before wading in with my very nicest dried flower specimens! When Spring returns—should it ever decide to show its pretty face again—I'll try to do a few more pictures and include snaps of some finished products. Until then, stay warm, be healthy, and do someone a good turn tomorrow. |
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